One of my ink sketches from the 90s … what does it mean?
One of my ink sketches from the 90s … what does it mean?
It’s only the second time I have had homemade pizza but I have to say both were better than anything I have ever had in restaurants. In my twenties I spent many lunchtimes in and around Munich eating pizzas and have had them in Turin and Milan, although I have never eaten one in a Pizza hut or similar establishment. Once in Turin I ate one that was claimed to be the best pizza in the world. None of these came close to my homemade ones. So here is my recipe:
Firstly, NO Mozzarella! … The long rubbery strands of chewy cheese I can really do without and maybe that is why I prefer my own homemade ones to those in restaurants. The only way to eat Mozzarella is sliced uncooked with fresh tomatoes, olive oil, basil and vinaigrette together with a buttered French baguette.
My pizzas may not be 100% authentic but who cares if it tastes better.
Plain flour, yeast, salt, sugar, oil, water.
Tomato: Tinned squashed whole tomatoes*/ whatever, fresh, tinned, sauce…
Cheese: Cheddar, Parmesan, Allgäuer*/ variable, whatever, just no Mozzarella
Onion: Shallots*/ or whatever type you prefer, red, white, green, spring …
Salami: Chicken salami*/ whatever … pepperoni
Chili: Chili peppers aka peperoni*/ whatever, depends on how hot you like it.
Black olives and capers*
* Indicates ingredients in the pizza pictured.
Normally I would have also added oregano but as I had none I added a few fresh basil leaves instead.
Had I known beforehand that I was going to post it on my blog I would have spent a bit more time on its visual appearance but that’s for another time.
It’s the start of the Chinese New Year tomorrow, the year of the rat. A street calligrapher gave me these as I passed by last month. I was curious to know what she was writing. I can’t quite remember what it says, but it was wishing me well in some form for the coming year, I think. The top image is the traditional CNY red envelope, in which money is put and handed to family and friends. Hope someone can read it anyway, Google translator was no help, not surprisingly.
This canvas ‘The Opium Parallax’ (2.24m x 4.0m) by Burmese artist Sawangwongse Yawnghwe was shown at the 2019 Asia Art Biennial in Taichung. It charts, in a loose way, the opium trade’s connections between governments, diplomats, countries, gangs and other parties. I found it quite fascinating.
Especially as ‘Mr. Nice’ (Howard Marks), a notorious British drug smuggler (albeit with cannabis), began his career when he was handed a diplomatic bag containing drugs. I read somewhere that he was just helping out a student friend who was ill at the time and unable to collect the parcel. This led to a lifelong career and many years in prison.
Among interesting names mentioned on the canvas are: Mafia, French connection, Legs Diamond, European diplomats, banking sector, jade & gem dealers, Playboy, Golden Triangle, secret society, casino, human trafficking, to name just a few. Make of it what you will. It certainly had me absorbed for longer than almost any other works of art.
Pictured, part of a temple roof in Taichung and beyond Hotel One, a modern day skyscraper. The turquoise-tinted all-glass Hotel One is certainly an impressive sight and easy on the eye, mainly due to its curved shape and breathtaking height. However the detailed coloured carvings of the low wooden temple could be viewed for hours whereas a brief glance at the skyscraper and you’ve seen it all, just about.
Many skyscrapers are simple geometric forms clad in mirror glass, which if nothing else has one advantage of reflecting the sky, making them semi invisible and slightly less oppressive. However the majority of office and apartment blocks are just plain grey rectangular concrete boxes with uniform square windows placed at regular intervals with about as much aesthetic appeal as a brick. That’s it! I would hazard a guess that covers around 80% of high-rise buildings worldwide.
I wonder how this affects our moods as we wander through sun-shaded cities of grey concrete and glass, looking for some greenery and a place to sit, rest and chat.
Today I watched one of the most fascinating art films I have ever seen. At the National Museum of Fine Arts in Taichung there is an exhibition ‘The strangers from beyond the mountain and the sea’ for the 2019 Asian Art Biennial. A 40 minute film by Liu Chuang was shown split on three wide screens in a small theatre with seating for about 10 people. The film explores China’s history, Bitcoin, iPhone technology, the environment and other interesting interconnected subjects. A review can be seen here:
Initially Taichung can seem chaotic and impossible to navigate, especially for non Chinese speakers. However, well designed tourist maps are available from the main station and buses are frequent, well marked and easy to use, especially if you buy a swipe card (Easycard), which is essential for frequent trips. (MRT is still under construction). Most bus trips inside the city are free so that even getting the wrong one costs nothing. A shuttle bus service does a round trip stopping at many of the main places and it is useful if you have a particular place in mind.
However, from the old/new main station with a bit of zigzagging it is possible to take in many of Taichung’s main attractions by walking or riding through the greenest parts of the city. First stop after the station is Taichung park, which was created by the Japanese during their administration of the city. It’s a great place to relax with a real zen atmosphere, spectacular trees and a boating lake full of koi carp and turtles.
From there head west along the canal walkway to the National Taiwan museum of fine arts. Then a long narrow park with sculptures (Calligraphy greenway) takes you north again until you reach a vast green area overlooked by the impressive Hotel One.
Continue northwards staying on the parkway strip and eventually you will reach the National museum of natural science and finally the botanical gardens.
There is a beautiful tiled pathway leading to the National museum of Natural Science with inlaid animals and plants depicting a timeline from prehistoric to contemporary times. Unfortunately they can only be viewed at ground level, which is a pity as some are so big, particularly the larger dinosaurs that they are difficult to see properly.
Finally you will reach the botanical gardens with a tropical glass house and waterfall.
A day out to educate myself. At least that was my plan anyway…
In the heart of Taiwan not far from Sun Moon Lake is a place called the ‘Formosan aboriginal culture village’. A 90 minute bus ride from Taichung took me there for just a few Euros.
On the way, as we headed inland towards the mountains, it was clear to see the ever present pollution hanging over Taichung, something that is easy to miss while in the city as the air does not seem to be that polluted. The cloud of purple grey pollution hovering over a city on a clear blue sky day was something I first noticed in Munich, Germany back in the 1980s.
On arrival my destination turned out to be more of an amusement park with touches of Disney world. At first I was shocked and a little disappointed as fun fairs were never really my thing even when I was younger. However it was quite spectacular.
I discovered, via a well designed map, that the aboriginal village and museum were situated high above the amusement park, which required a fairly long walk and ascent of several hundred meters.
A labyrinth of paths climbed the hillside but many of the direct routes had been blocked due to maintenance and so I was forced to zigzag my way up in search of the museum.
Lets face it, museums and art galleries are hard on the legs and feet at the best of times but having to walk and climb several kilometres (slight exaggeration) to reach this one did nothing to help my growing disappointment. However once there it was well worth the effort, particularly the museum artefacts and the reconstructed wooden homes of the aboriginals.
It was fascinating standing inside the wooden huts imagining how they had once lived and for a moment, despite the simplicity of the structures, I felt slightly envious that they could have been so close to nature as the structures were mostly open to the elements. No triple glazed sealed boxes here. Just the sounds of the forest. It really made me wonder about much of present day living, especially in cities with the ever growing tower blocks.
The whole experience of the Formosan aboriginal culture village took most of the day and on my return through the amusement park it certainly looked great fun if you are young and into that sort of thing. The water ride looked particularly spectacular and there was also an observation tower, cable car to Sun Moon Lake and a monorail. What more could a family want for a day out.
Well, it was a good job I did not Google research it beforehand as I may have not gone and then I would have missed a treat.
The 2018 calendar that never was. Three images from what was an almost completed calendar but in the end I rejected it for reasons which even I am not sure of. Anyway here is a peek at what might have been and the rest will remain unseen. The car model was created mostly in Rhino 5 and the landscapes built in Blender 2.78.
As I prepare to create my 2020 calendar, I discover I am lost for ideas. I want to move away from the wildlife theme for next year but struggle to find a new theme.
I was considering landscape textures and moving more towards an abstract arty theme but have yet to create anything that looks halfway interesting. So this afternoon, just for fun, I tried texture painting some landscape photos onto spheres in Blender 2.8.
If nothing else it helped me better understand how this function works. So here’s a small sample of some of the spheres, which used among others, snow, rice field and bird photos. Would it make a calendar? Probably not, but hopefully it may lead to some other ideas.